Born in 1951, Pablo Amor was predominantly influenced by the 1970s.

Born in 1951, Pablo Amor was predominantly influenced by the 1970s. The 1970s were a period of consolidation and development in the arts, most often characterized as a response to the dominant tensions of the previous decade. Conceptual art developed as a key movement, and was in part an evolution of and response to minimalism. Land Art took the works of art into the extensive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal reflections, creating esoteric and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly respected figures worldwide. New York maintained an important position in the international art scene, ensuring that international artists continued to flock to the galleries, bars and downtown scene in the city. Towards the end of the 1970s, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists such as Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and ensuring that spray paint and tagging gained some acceptability as a fine art practice, a trend which would fully emerge and dominate during the next decade.